Still working on the next batch of reviews, and it’s taking me longer than expected. (Duh.) In the meantime… here are two of the book reviews I did late last year for the Philippines Graphic! Dwellers and Maktan 1521 were fun reads. I say they’re “old made new” because the former is about taking on new lives (and dealing with the repercussions of your old one), while the latter provides a new take on an old story.
I haven’t been keeping track of my bylines for some time now, so I don’t know if/when they were published and/or edited, or in which issue they were included. In any case, I’m looking forward to reading (and actually finishing and writing about) more books from Filipino writers!
In Another Life…
Dwelling on Dwellers
by KC Calpo
I’ve always wondered about how it would be like to live a new life. I’m not talking about the occasional “life hack” or, for lack of a much better word, rebrand. I’m referring to a total transformation: a brand-new name and identity, appearance, residence, job, interests, social circles… the works. Thankfully, I don’t have to have expensive plastic surgery, go into a witness protection program, or acquire fake paperwork from Recto to find out. The most feasible option for us regular folk? Read fiction.
This week’s book gave me an imaginative answer to my question — and reinforced the conclusion that all things considered, I’m good with who and where I am. Dwellers, the latest speculative fiction novel by Eliza Victoria (and Fiction Category – Novel finalist for this year’s National Book Awards*), gives two central characters the power to inhabit other people’s bodies and literally take over their lives. It’s an interesting ability to possess, and an equally interesting way to commit murder and disrupt the world’s natural order. Good to know this isn’t real life, huh?
With that premise, the two dwellers — now going by the names Jonah and Louis — work through two major story arcs: as runaways from their old lives in the north, and as the currently confused keepers of Meryl Solomon’s decaying corpse, hidden in a freezer in their basement. Moving on from a past life is difficult enough without the need to figure out and clean up the mess of a new life acquired with supernatural powers.
Dwellers employs the new Jonah as the narrator, making it easy for readers to go along for the ride. It’s easy to empathize with him and Louis, except for the murder part of the story, of course. Readers will feel as befuddled as they are, understand more of what happened once they do, and feel as they feel, from past to present. They also learn that every action has a consequence, regardless of who you were then and who you are now.
Told in three sections, the story takes on varying tones: from urban fantasy to a murder investigation to a flashback/retelling then a hostage situation and finally, a cliffhanger. Like Jonah and Louis picking two Does at random and getting used to their robbed lives, Dwellers seems like it’s trying on different identities to see which narrative style fits. Amazingly, Victoria stuffs the plot and subplots into a relatively short 130-page novel, and in a print size slightly larger than today’s phablets. The brief chapters and Victoria’s brisk pacing will bring you from cover to cover within an estimated three hours, good enough for those with limited free time and attention spans.
However, this concise writing style does have some pitfalls. Several chapters and events could’ve been fleshed out more, slowing the action down but giving more insight into why things ended up the way they did. And some characters feel underdeveloped and clichéd. One character, barely mentioned in previous chapters, suddenly becomes the antagonist and delivers the standard villain’s monologue mixed with a philosophical bent. (#PlotTwist!) Another character goes from neighborhood sleuth to stranger-trusting college girl to angry ground-and-pound toughie to duct-taped crybaby in the novel’s last act. The supposedly formidable and scary Auntie Leonora just wasn’t formidable or scary enough for me. And yet another character’s devolution to body-snatching and murder feels rushed, no matter how justified the motive or how sympathetic she is.
While Dwellers focuses on the two male leads’ literal commandeering of physical bodies, the two mentioned instances of rape (and the devaluing of the females’ worth and integrity) also help highlight that a takeover doesn’t have to be done in the most literal sense. Jonah’s assault of Mona, and Uncle Pedro, of his niece Celeste, emphasize sad truths that must be reversed ASAP: that a woman will always be called loose if she has sexual agency; and if raped, that she will be doubted, and given the burden for proof and/or supporting claims. The solutions? In Mona’s case, it’s to give Meryl a recording of the assault before her suicide. For Celeste, it’s to avenge herself, with five lives as collateral damage.
As for the ending? I called it a cop-out after reading it. But the fact that I wanted to know what happens next (and felt frustrated that I can’t and probably won’t) proves that (a) Dwellers (and Victoria) will make you heavily invested in its characters and story, and (b) any personal investment does have its limitations. In that sense, I guess the ending works as it should.
Well, that was one hell of a life to read through. Now, back to regular programming.
*Victoria won! Congratulations!
(NEXT: Reworking the Magellan-Lapu Lapu story: Maktan 1521)